Fri, 13 October 2017
Organized by Wildcat! (André Zachary, Jeremy Toussaint-Baptiste and Eleni Zaharopoulos)
Wildcat!, a civically-minded, collaborative performance organization, brings together a panel of performers, artists, and activists to discuss how equitable conflict manifests in contemporary performance practices. How might the role of conflict be reconsidered within collaborative work? What potential lies in negotiating equitable conflict as a means of devising performance? As a means of shifting from militaristic ideas of conflict toward cyclical acts of supportive response?
Including Chloë Bass, Tiona Nekkia McClodden and Justine Williams
Direct download: Precarious_Collaboration_and_Equitable_Conflict_PODCAST.mp3
Category:podcasts -- posted at: 9:00am EST
Fri, 13 October 2017
Nia Love re-configures and re-examines the meanings of ‘safe-space’, domesticity, and self care in an installment of her latest project, the Epic Memory Lab (EMLab). Taking the form of a potluck, Love will facilitate a candid dialogue about healing and aging that will be guided by the recipes, stories, and family heirlooms offered by attendees.
EMLab is informed by the structure of Kitchen Konversations, a series developed by Nia Love and Marjani Forté-Saunders.
Fri, 29 September 2017
Moderated and organized by Hadar Ahuvia and Ali Rosa-Salas
Citation and adaptation have been fertile and even groundbreaking creative processes. Cultural appropriations have also masked power dynamics and violent processes of dispossession. How are performance makers navigating citational and appropriative processes with intention and within a range of proximities and intimacies with their sources? How do these artistic practices contend with and complicate colonial and extractive procedures?
With Yoshiko Chuma, Malik Gaines & Alexandro Segade, Will Rawls, Rosy Simas, and Reggie Wilson
Fri, 22 September 2017
Movement Research's editors create a temporary "publication": a live site igniting conversation, debate and language around the current moment. Faced with extreme conservatism, how will New York City dance/performance people activate their power, access, resources and social missions? Questions will be posed and answered within a time limit. Categories include: culture in the current political climate; gossip; equity; formulating a new avant-garde in a socially responsible way. GAME SHOW!
Gameshow players: Lydia Bell, Siobhan Burke, Jaime Shearn Coan, Yve Laris Cohen, Benjamin Akio Kimitch, Esther Neff, Ali Rosa-Salas, DeeArah Wright
Fri, 15 September 2017
A panel discussion moderated by Kay Takeda, Director of Grants & Services at Lower Manhattan Cultural Council
Since the development of the Dancers Compact from 1996 to 2002, multiple efforts have been undertaken in the field to better understand, support, and advocate for the needs of dance artists, and for the importance of self-care. This is an essential and ongoing issue for each dance artist and for the field as a whole. What are the approaches and practices that makers and dancers are developing to better sustain themselves and their collaborators, and what resources are out there for dance artists in NYC? Hear from artists Aaron Mattocks, Katy Pyle, Juliana May, and Antonio Ramos, who are each actively pursuing different ways to address these questions – and add your own experiences, ideas, and practices to the mix.
Direct download: Fall_Festival__Financial_and_Personal_Wellness_in_Dance-_A_Panel_Discussion_PODCAST.mp3
Category:podcasts -- posted at: 9:00am EST
Fri, 22 July 2016
Movement Research Studies Project, "Band of Outsiders Women" - March 1, 2016
Women dominate the dance and performance field in numbers, but not in visibility, ‘success,’ or positions of power. Let’s keep the issue at the forefront and explore how to rectify this. One of the biggest untapped resources is women helping and supporting other women more vocally and consciously—as the majority, our collective efforts would have a massive impact on leveling the field. In this panel, we’ll discuss how to effect change and meaningfully support the majority of our fellow practitioners. Any gender expression is welcome and all are encouraged to participate.
Direct download: StudiesProject_BandOfOutsiders_03.01.16_PODCAST.mp3
Category:podcasts -- posted at: 4:26pm EST
Tue, 9 June 2015
Movement Research Studies Project: being a body out loud
April 7, 2015
Conceived by Ni'Ja Whitson Adebanjo, Edisa Weeks and Tara Aisha Willis
With panelists Allison Joy, Jumatatu R. Poe and Social Health Performance Club
Living in a body that shouts through the underbelly, a protested or protesting body, a black body, a body of the multitudes, a body of color, a body no one believes, a body of rage or exhaustion, a body on the ground outlined in chalk. Our current moment's choreographies and vocabularies - gestures, chants, dances, collective actions - reveal (and disrupt) practices of living. What experiences do we hold in memory and body, and how do we hold them? With reverence? Power? Performers and writers responded with those in attendance.
Wed, 1 April 2015
Town Hall Meeting
Movement Research at Eden's Expressway, October 6, 2014.
Co-Hosted and organized by the Movement Research Artist Advisory Council
Moderated by Laurie Berg, Maura Donohue and Kathy Westwater
The Movement Research Artist Advisory Council (AAC) facilitated a public discussion by sharing excerpts and quotes of meeting minutes to spark conversation and invite the public into its ongoing conversation, including threads related to economics, politics, aesthetics and creativity.
This meeting examined the relationship between dancer and community - academic, geographic, and economic. Speakers and guests discussed economics of class-taking, the limitations and potential of University-Artist relationships, and the value of geographic vs. digital communities.
Direct download: 10.6.14_Town_Hall_Meeting_Podcast_FinalPUBLISHED.mp3
Category:podcasts -- posted at: 3:57pm EST
Thu, 12 February 2015
This is a Movement Research Studies Project: The Role of Class in Current Dance Practices
Conceived in conversation with Movement Research Faculty
January 20, 2015 at Gibney Dance Center 890 Broadway organized by Movement Research in collaboration with Beth Gill, Lance Gries, Eva Karczag and Gwen Welliver
The Role of Class was a series of brief and intimate discussions with various teaching artists including Julian Barnett, Michelle Boulé, Wendell Cooper, Jeanine Durning, Barbara Forbes, Zvi Gotheiner, K.J. Holmes, John Jasperse, Joanna Kotze, Nia Love, Juliette Mapp, Cori Olinghouse, Janet Panetta, Shelley Senter, Vicky Shick, RoseAnne Spradlin, Karinne Keithley Syers and Jesse Zarrit. These discussions addressed questions and ideas about dance and movement-based class through their own practices and histories. After the discussions attendants were invited to actively participate in smaller group conversations with the opportunity to share insights and proposals.
Photo: Morning exercises on the roof of Itten College, 1931, from "Design and Form: The Basic Course at the Bauhaus and later" by Johannes Itten
Thu, 18 December 2014
This is Movement Research Studies Project: Dance and Music Now
With Panelists: Douglas Dunn & Steven Taylor, Melanie Maar & Kenta Nagai, Edisa Weeks & Katie Down
October 7, 2014 at Gibney Dance Center 890 Broadway proposed and moderated by Philip Ellis Foster
Musicians and dancers have a long and storied relationship with one another, from traditional forms that wed music and dance to narrative storytelling, to orchestral ballets, and on to Cage and Cunningham collaborations. This evening explored the multifaceted ways artists are addressing this relationship today, with a focus on musicians that perform live with dancers and movement-based performance work. Artists discussed and examined their various dynamic approaches to collaboration between and across these fields.
Photo: Kenta Nagai and Melanie Maar by Ian Douglas